Tuesday, January 17, 2017

9 Reasons Why We'll All Be Watching The Handmaid’s Tale on Hulu

Image Credit: The Folio Society

Do you follow Margaret Atwood on twitter? Along with Joyce Carol Oates and Erica Jong she’s one of the prominent literary feminists who we loved and read as younger women and who are still writing and full engaged with the world and interacting with that world via twitter.

Today Atwood responded to a teacher who asked if the acclaimed Canadian author had seen the upcoming adaptation of The Handmaid’s Tale, and if so what she thought of it. 

That seems in line with the general buzz that this is going to be must watch TV. 

It’s not the first time Atwood’s dystopian novel has been adapted for the screen, of course. The Handmaid’s Tale was made into a feature length film in 1990 with Natasha Richardson as Offred (Elizabeth Moss in this iteration), and per the novel, a fifty year old Faye Dunaway as Serena Joy and a sixty-ish Robert Duvall as the Commander. The current version takes the characters to a younger place than the book does with Yvonne Strahovski in her mid 30's and Joseph Fiennes (mid 40's) playing those roles. I’m curious about the changes in those ages, wondering how it affects Offred’s character as well as our response. 



In the 1990's film, Nick was played by Aidan Quinn while the new version features Max Minghella (The Mindy Project) as Nick with Alexis Bledel as Moira, Elizabeth McGovern in the movie. The acclaimed playwright Harold Pinter wrote the script.To tell you the truth, looking at the imdb, the director of that 1990 version is the only name I’m not familiar with; German director Volker Schlöndorff. I’d love to watch it before taking in the series, wouldn’t you? Unfortunately I can’t even find a trailer and the film is so hard to find, copies go for over $100 on eBay!

Ah well, I'll content myself with the book. I’m about 1/2 way through.

Esquire ran a piece by Emma Dibdin about the upcoming Hulu series based Atwood’s book, and I’ve nabbed it for you, copied and pasted it here in its entirety:


Why The Handmaid's Tale Is Destined to Be 2017's Dystopian Hit


Escapism only gets you so far. In times like this, with the country on the precipice of a new era nobody understands, sometimes the only option is to dive headlong into that sense of mounting dread about the future. Hulu's beautiful, brutal new drama The Handmaid's Tale is here to help.

Margaret Atwood's 1985 novel The Handmaid's Tale took place in a dystopian near-future–now roughly our present day—in which a sharp decline in birth and fertility rates have decimated society. Following the assassination of the President and much of Congress, the United States has become the Republic of Gilead, a theocratic military dictatorship in which women's rights have been abolished, and women of childbearing age are forced into reproductive servants called "Handmaids".

At the TCA Press Tour over the weekend, showrunner Bruce Miller joined stars Elisabeth Moss, Joseph Fiennes, Samira Wiley, Yvonne Strahovski, Ann Dowd, Alexis Bledel, and O-T Fagbenle to discuss the show. Here are the nine key things to know.

1. The parallels to Trump's America are glaring and deliberate.

Though Miller noted that Atwood's book is perennially timely, "none of us could ignore what was happening" throughout production. "I worked [on the show] the day after the election," recalled Moss, who plays the show's quietly rebellious protagonist Offred, a woman forced into sexual slavery in the household of a military commander, played by Joseph Fiennes. "Joseph had a line from the book where he says 'Better never means better for everyone... It always means worse, for some.'"

"I just got chills talking about it," Moss said. "It was very difficult to stand there and have him say that to me and play my reaction to that, which is obviously horror, and not feel something more than I think I would have felt otherwise. We are fascinated and horrified by the parallels."

2. It's a parable about male privilege.

The power dynamics in Gilead are an exaggerated, but knowing take on real-life gender inequality, Fiennes said. "The lack of distribution of power, the fact that there is not a level playing field among the sexes today–it's prescient, and I hope it doesn't remain prescient. Though [my character] the commander is vastly different from me, the male psyche is something that I reflect upon a lot. What it is to be a privileged, white, middle-class guy from London, what are those privileges that have been instilled in me, my conditioning and how that affects other people. There are so many takeaways politically, but also domestically."

3. There will be changes from Atwood's book.

Though the series is overall a loyal adaptation, and everyone involved professed their Atwood fandom, a few key changes have been made. Significantly, the character of Serena Joy—the Commander's wife—is much younger than in the book, played by Dexter's Yvonne Strahovski. The fact that Serena is infertile, but still of childbearing age, changes the fraught dynamic between her and Offred, explained Miller. "It bumped me that Serena Joy was beyond childbearing years, because it felt like they weren't in direct competition, that Offred wasn't taking a role that Serena Joy wanted for herself. I thought it was a more interesting dynamic for the long term, as opposed to in the novel–a dynamic that could play out over time."


4. The cinematography is both stunning and specific.

The show's director Reed Morano has a background in cinematography, which is made very clear by the pilot's visceral deployment of primary colors. "In Margaret Atwood's novel, it's a world of color segregation, and we wanted to stay true to that. We shot the show in Alexa, so I knew that there were certain shades of blue and red that just don't work in digital color, and others that complement each other to make an image more rich, and more painterly, and almost echo a different time."

"So the color for the handmaids is red, and the wives all wear kind of a peacock blue, and that choice was very purposeful because those two colors are basically the predominant colors in technicolor. We wanted to make a show that feels like you haven't seen it before, and really play with composition and graphic colors and try to make it a visual feast."

5. The Republic of Gilead parallels Puritanism.

The biblical fundamentalism that underlies Gilead, and the specific parallels to life in Puritan times, was a defining idea for the writers. "In the first episodes, they're tearing down churches that are anything besides their sect," Miller said. "You know, this country gets a reputation for being a place where people came from religious freedom. The Puritans who came liked their religious freedom, but not anybody else's. So, certainly, there were no other churches besides the Puritan church. We're harkening back to that origin story that Margaret used for the book."

6. The Handmaid's Tale is to Elisabeth Moss as Mr Robot is to Rami Malek.

In the sense that the show takes place entirely through her POV, relies heavily on voiceover to set its psychological tone, and is filmed in extremely intimate close-ups, every micro-movement of Moss's face magnified tenfold. "I've never worked with so much voiceover, but it's such an essential part of the adaptation of the book," Moss said, "because the book is a voiceover, it's first-person telling a story in a very nonlinear way. I feel like that voiceover is my connection to the viewer to be able to hold their hand a little bit and walk them through this world. And there's also so many beautiful bits of writing from Margaret Atwood that we've been able to then use because of the voiceover."

"Lizzie has such an expressive acting style," Miller added, which has allowed close-ups to take the place of voiceover in many instances. "She has a main circuit cable connecting her heart to her face that she can't turn off even if she would like to, and so, because of that, we've had to use less voiceover because you know what she's thinking, you know what she's feeling."

7. The subject matter struck close to home for everyone involved.

Between Mad Men's Peggy Olson and Top of the Lake's Robin Griffin, Moss has had a spectacular few years of playing compelling, unique characters on the small screen. But Offred was different. "I would never be a copywriter in the 1950s, I would never be a detective in Australia—but if Gilead happened now, I would be a handmaid," she said. "That was something I latched onto from the beginning and found very affecting." Through flashbacks, we see Offred's life as an ordinary young woman in contemporary America, smoking pot with her college BFF Moira (Samira Wiley), unaware of what's coming.

"I feel like it's our responsibility as artists to reflect the time that we are living in," Wiley said. "The show reflects the social climate that we are living in, and for me personally, the issues are specifically women and their bodies and who has control of that. Do we have control of it? Does someone else have control of it?"

8. Ann Dowd plays a formidable, but complex, female villain.

Though Gilead and the forces behind that regime are the show's true "villain", the closest thing it has to an antagonist early on is Dowd's fearsome schoolmistress Aunt Lydia. Lydia is in charge of the ominous "Red Center", a re-education facility where women are sent to train as Handmaids. "At the core of her choices, she loves these girls deeply and wants them to succeed in this new world, and she is keenly aware that if she doesn't get them to get the drill immediately, they are not going to make it," Dowd explained. "The reason behind her actions is a deep concern and devotion to [women's] success in this life."

9. It's a feminist survival story.

Bleak as the first episode is, it ends on a defiantly hopeful note as Offred quietly states her intention to survive, and to see her estranged daughter again. "One of the things I found most interesting about Offred is what she does to gain power," said Moss, noting that one of the major ways in which Offred gains agency is through her gender and sexuality. "What she does to gain power and to survive is to lean into being a woman, and her sexuality, and she starts to use it to hopefully get out and hopefully find her daughter. And there are times when that's taken away from her, and then it's taken back. She will never ultimately be in power.

"I love the story of a survivor, and I love that through the principle of surviving, she becomes hugely inspirational. I love that even if you are the lowest of the low, that you may be able to eke out some power. I love that she finds power in her position of nothingness."


The Handmaid’s Tale is coming to Hulu on April 26th. I’ll be watching, will you?



Monday, January 16, 2017

Watch the Trailer for 'Their Finest' based on Lissa Evans 'Their Finest Hour and a Half' Coming in March

If you loved Bill Nighy in Love Actually—and how could you not?—you might be as interested as I am in seeing Their Finest based on Lissa Evans book Their Finest Hour and a Half. As a British period film set during WWII—a period of history that was pivotal in my parents’ lives—it ticks a big personal box for me. I’m a little perplexed that I missed hearing/reading about this adaptation sooner. I do pay more attention to this stuff than the average bear. 


As much as I love Nighy, Gemma Arterton is the film’s lead along with Me Before You’s Sam Claflin. The cast includes Jeremy Irons, Jack Huston (The Yellow Birds) and Helen McCory (Peaky Blinders). Their Finest comes to American theatres on March 24th.


About the book

From the author of the acclaimed Crooked Heart comes another “smart, funny, ingenious, revealing tale of London life during the Second World War” (The Independent)—longlisted for the Orange Prize upon its original publication in England.
It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help “write women” into propaganda films—something that the men aren’t very good at.
She is quickly seconded to the Ministry’s latest endeavor: a heart-warming tale of bravery and rescue at Dunkirk. It’s all completely fabricated, of course, but what does that matter when the nation’s morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers: Ambrose Hilliard, third most popular British film-star of 1924; Edith Beadmore, Madame Tussauds wardrobe assistant turned costumier; and Arthur Frith, whose peacetime job as a catering manager has not really prepared him for his sudden, unexpected elevation to Special Military Advisor.
Now in a serious world, in a nation under siege, they must all swallow their mutual distaste, ill-will, and mistrust to unite for the common good, for King and Country, and—in one case—for better or worse....

Also interesting as you’ve likely heard Christopher Nolan is currently working on the film Dunkirk, based on the same famous WWII battle. 

Here’s the trailer 



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