> The Wife by Meg Wolitzer: My Take on the Book #review | Chapter1-Take1

The Wife by Meg Wolitzer: My Take on the Book #review

The Wife book cover for novel by Meg Wolitzer, behind the movie starring Glenn Close

The Wife by Meg Wolitzer

Published in 2003, The Wife by Meg Wolitzer is the basis for the Glenn Close film due out August 17th. 

The book took me entirely by surprise, beginning as it does quite early on, with Joan telling her hugely successful author husband Joe Castleman that she wants a divorce. They’ve been married many many years, the book looks back on those years interspersed with events from the current trip to Finland where the big-deal writer is getting a very big deal prize—akin to, but not, the Nobel prize for literature.


Here's how the publisher, Simon & Shuster describe it:


The Wife is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan, and the secret they’ve kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honor his career as one of America’s preeminent novelists. Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, finally decides to stop.
Important and ambitious, The Wife is a sharp-eyed and compulsively readable story about a woman forced to confront the sacrifices she’s made in order to achieve the life she thought she wanted. “A rollicking, perfectly pitched triumph…Wolitzer’s talent for comedy of manners reaches a heady high” (Los Angeles Times), in this wise and candid look at the choices all men and women make—in marriage, work, and life.

It’s not a book I would expect to be surprised by. We see her as the ultimate wife, giving up her writerly dreams to support his efforts, raise their children. Be a WIFE. Where he throws his weight around like a big man on campus she is self-effacing, withdrawing from the spotlight except as his sidekick when he wants one. Often he’s accosted, as all famous men are, by women who want to tell him how marvelous he is. Usually, she looks on from the sidelines. Sometimes she will complain loudly later, mostly she lets it go. She knows he cheats, but hey, don’t they all, she seems to shrug. As she says of super successful men like her husband (the name Castleman says it all) ... 
‘As a rule the men who own the world are hyperactively sexual, though not necessarily with their wives.’
There is a lot of this kind of anger throughout the book, anger at herself. Anger at her husband which is surprising since she met him in a creative writing class at Smith, and ignoring the fact that he was married and had a little girl, she set about bedding him. What’s that story about the snake? You knew who I was before you let me in?

There’s anger too about giving up her own writing. ‘‘Oh I don't do that anymore’’ she tells people who ask because they know she wrote a few wonderful pieces as an undergraduate student. ‘‘Joan is extremely busy,’’ Joe would add, ‘‘babysitting for my ego.’’

Joan tells us she could have been like Joe but she gave it up for love. That his kind of big swaggering genius is unlovable.
‘I could have been like Joe if I’d wanted to. I could have swaggered around; I could have been hostile, lyrical, filled with ideas, a show-off, a buzzing neon sign. I could have been the female version of him, and therefore not lovable but repellant.’’
Interesting. A man can be full of himself, call himself a (stable) genius and still be given adulation. Even when he is a short little overweight man which Castleman is in the novel—in the book he is played by tall, slender Jonathan Pryce, not sure how that impacts the action. Anyway, a woman, according to Wolitzer’s Joan, cannot be a swaggering genius. My question. Does genius have to swagger? Is there no way to be quiet about it? In our Facebook/Twitter/Instagram world probably not. 

I found myself fairly angry with Joan Castleman by the end of the book. All that pretending not to see what her husband was doing, all the pretending, period. How could you, I wanted to scream at her. How could you?!


In addition to Glenn Close—who I can’t wait to see in this part—and Jonathan Pryce, the cast includes Christian Slater as a devotee of Castleman’s who stalks him everywhere, hoping to write his autobiography and Elizabeth McGovern as a famous female writer who warns Joan not to listen to the men, the ones who decides who gets to be published, who gets to be acclaimed. It’s a conversation we’re also having in the world of film.Harry Lloyd and Annie Starke play the young Joe and Joan.


The film comes out August 17th here in the US.



2 comments:

  1. Haven't finished the book but attended a recent screening with cast/director Q&A. Liked the movie, the cast was excellent. Having the same conversation re influence in every business I think.

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    Replies
    1. So curious to see this film, wondering if it veers from the book. Interesting as I wouldn't exactly describe Joan Castleman as a feminist.

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