Emily read and reviewed Billy Lynn's Long Half-time Walk by Ben Fountain back in 2013 —she's one of the lucky ones who gets ARC's—and heard via the publisher that the book was en route to Hollywood with Steve Martin cast in a major role. Emily thought I might have a little more info. And I do! I promised to share what I know about the movie if she let me share her review! But first the lowdown on the book. Here's the publisher's overview:
Sounds awesome, right? Before we get to Emily's take on the book, here's what I know:A finalist for the National Book Award!Three minutes and forty-three seconds of intense warfare with Iraqi insurgents has transformed the eight surviving men of Bravo Squad into America's most sought-after heroes. Now they're on a media-intensive nationwide tour to reinvigorate support for the war. On this rainy Thanksgiving, the Bravos are guests of the Dallas Cowboys, slated to be part of the halftime show alongside Destiny's Child.Among the Bravos is Specialist Billy Lynn. Surrounded by patriots sporting flag pins on their lapels and Support Our Troops bumper stickers, he is thrust into the company of the Cowboys' owner and his coterie of wealthy colleagues; a born-again Cowboys cheerleader; a veteran Hollywood producer; and supersized players eager for a vicarious taste of war. Over the course of this day, Billy will drink and brawl, yearn for home and mourn those missing, face a heart-wrenching decision, and discover pure love and a bitter wisdom far beyond his years.Winner of the 2012 National Book Critics Circle Award for Fiction2012 National Book Award Finalist for FictionWinner of the 2012 L.A. Times Book Prize for FictionWinner of the 2012 Flaherty-Dunnan First Novel Prize
The screenplay is being written by Simon Beaufoy who has some very respectable screenwriting credits indeed, including Slum Dog Millionaire (he got the Oscar for that one) The Full Monty, 127 Hours, Salmon Fishing in the Yemen and The Hunger Games: Catching Fire. Just slightly this side of impressive, eh? And in postproduction right now, the film Everest with a ridiculous cast that includes Robin Wright, Keira Knightley, Jake Gyllenhall, Josh Brolin, Sam Worthington (that Avatar guy), Emily Watson, Elizabeth Debicki and Jason Clarke. So, yes, an A-list screenwriter.
With an A-list script you're going to have an A-list director. Like Ang Lee. (Life of Pi, Brokeback Mountain, and Crouching Tiger, Hidden Dragon) A true master, Lee has won the Academy Award for Best Director twice, for Life of Pi and Brokeback Mountain.
Joe Alwyn; what intense eyes he has!
Unafraid of risk, Lee has cast a young newcomer in the titular role—Joe Alwyn—who has not one single professional credit to his name. Kind of exciting to think we'll be discovering him together.
Garrett Hedlund in Pan. I guess the eyes have it.
Along with Alwyn, Garret Hedlund has been cast as Sgt. Dime, the explosive leader of Bravo Squad. He was given very little to do in Unbroken, but after we see him as Captain Hook in Pan, I think the On the Road actor may be about to break out in a big way.
And then there's Steve Martin who, if we're lucky, will most likely play Albert, the Hollywood producer who tags along with the squad on their Victory Tour, making phone calls from the back of the limo, intent on getting a movie about Bravo Company made. From what I've read in Deadline there's a chance Steve Martin may not be available. But for now Martin's name is on the Billy Lynn's Long HalfTime Walk cast list and so is Barney Harris (The Hollow Crown) who I can't find a good picture of! I just know he's 19 years old and he's been cast to play Sykes. With the movie set to start filming in April, we'll know more soon enough.
I feel that in addition to being a fresh and edgy book, this may be an important book. So far it's the only one I've read coming out of the Iraq War that subsumes itself in neither action sequences nor in an overwrought family or romantic drama. This one seems to be just as much about the concept of war itself as the politics behind it and how America feels about it. (Though given the book takes place mostly in Texas, especially Dallas, we're not really given a look at the dissenters' side of things.)Billy Lynn is a fascinating character, a boy thrust into the army (in lieu of doing hard time) after taking a crowbar to his sister's ex-fiance's car for gallant but misguided reasons. He's a thoughtful young man, fully aware that the labels of "hero" mean nothing when one's actions are guided neither by bravery nor fear, but simply reactionary to any given situation, including Bravo's famous firefight with the Iraqi insurgents: one day you're the hero and the next day you're cowering under your humvee and refusing to come out. His thoughts are never far away from his imminent return to Iraq, nor from his buddy, Shroom, who died the day Billy was labeled a hero.Ben Fountain's novel is the first book coming out of the Iraq War (that I've read, at least) that seems willing to say that war is, more than anything else, a commercial enterprise AND an entertainment enterprise. It's difficult not to draw these parallels about the US's involvement in Iraq with, say, the Dallas Cowboys franchise and the oil-steeped politics of the state in which the book is largely set, or the larger-than-life characters we meet, such as the Dallas Cowboys' owner or the man who spends the book negotiating a movie deal for Bravo. War as commercially motivated enterprise, not a political one, isn't a new concept per se, but it goes a long way in increasing this particular reader's distaste for it, because if it's really not about oil, really not about protecting our interests, and really not about freeing a people from their dictator's rule, then it's really not something I can ever understand, or wish to, for that matter.Karl Marlantes blurbs this book, and he's not a writer whose opinion I take lightly, especially when it comes to the topic of war. He calls it "the Catch-22 of the Iraq war," and with a comment like that, I'm not sure that there's anything more to add. I'll just conclude with some passages that resonated with me as I read it: